Stiles Stilinski, the giant geek.

(Source: stlieshale, via justteenwolf)

lumos5000:

when the movie is like the book

(Source: , via aavonlea)

thesylverlining:

Can I just say how cool it was that both of these superheroines’ personalities and powers were explored in this episode? And how well it was done?

Starfire was not shamed for being emotional. Her powers come from her emotions.

Raven was not shamed for suppressing her emotions. Her power requires amazing control.

They both. Work. They are both different kinds of strength, and they are both heroic and powerful and good. And they each learned from the other, and helped each other out by seeing from each others’ perspective, and finding the value in their differing approaches! Wow!

Fuck yes, this is how you write super-ladies, okay. There’s more than one way to be a “strong female character.” There’s all different kinds of strength. Why don’t more people GET this?

(Source: titans-tower, via you-cant-stop-the-moriparty)

rosewindow:

*scans sky for flying men*

(Source: m-ordor, via you-cant-stop-the-moriparty)

When Beyonce sings about positive body image but then photoshops a thigh gap into her own Instagram pics

whatshouldwecallme:

zooophagous:

prokopetz:

skittles-n-gravy:

perpetual-galaxies:

Jack is hardcore as fuck

scare me like one of your french girls

For money money, the most interesting thing about this confrontation is how completely it inverts the final scenes of a typical Disney film. In most cases, the hero is physically and/or supernaturally outmatched, and triumphs through determination and ingenuity; here, the villain spends the the whole fight running scared, while the protagonist casually no-sells everything that’s thrown at him. And there’s no ironic Disney Death keeping the protagonist’s hands clean, either. Jack just straight-up murders Oogie with malice aforethought while Oogie is running away - and by having Santa Claus himself strike the final blow, the film legitimises Jack’s killing of Oogie as the morally correct course of action.

You don’t fuck around with the motherfucking pumpkin king

zooophagous:

prokopetz:

skittles-n-gravy:

perpetual-galaxies:

Jack is hardcore as fuck

scare me like one of your french girls

For money money, the most interesting thing about this confrontation is how completely it inverts the final scenes of a typical Disney film. In most cases, the hero is physically and/or supernaturally outmatched, and triumphs through determination and ingenuity; here, the villain spends the the whole fight running scared, while the protagonist casually no-sells everything that’s thrown at him. And there’s no ironic Disney Death keeping the protagonist’s hands clean, either. Jack just straight-up murders Oogie with malice aforethought while Oogie is running away - and by having Santa Claus himself strike the final blow, the film legitimises Jack’s killing of Oogie as the morally correct course of action.

You don’t fuck around with the motherfucking pumpkin king

(via you-cant-stop-the-moriparty)

the-murderous-bettie-rage:

I’VE BEEN WAITING FOR THIS MY ENTIRE LIFE.

(Source: sohapppily, via death-by-lulz)